Gaffers and Protégés

11 September - 4 October
Pink Tahiti by Peter Layton (image by Alick Cotterill)

A gaffer leads the making at the furnace while a protégé is an artist shaped by a mentor - the skilled hands at the furnace around whom the whole team moves. A protégé is something broader: an artist whose career has been shaped, encouraged, and enabled by a mentor who saw their potential early. For Peter Layton, these two roles are inseparable from how he works and who he is.

The works that define London Glassblowing - Burano, Paradiso, Glacier, Tahiti, and more - were brought to life through decades of collaboration with a remarkable group of British glass artists. Some came to Peter at the very start of their careers; others grew alongside him over the years that followed. Many have gone on to earn international recognition.

Echoes of Future Ghosts by Anthony Scala (image by Alick Cotterill)

This exhibition brings them together again. Louis Thompson and Bruce Marks, still at the heart of the studio after more than twenty years, return to work on significant Peter Layton series - Louis on wall pieces, Bruce on painterly works including Pink Tahiti and Pointillist. Elliot Walker and Layne Rowe, now working from their own studios, revisit the Peter Layton pieces they helped realise, among them Burano-inspired forms. Tim Rawlinson and Anthony Scala, both given their first professional opportunity by Peter, present works drawing on their skills in coldworking. James Devereux and Liam Reeves, the most recent collaborators, reflect the continually evolving nature of Peter's sculptural practice.

Giraffe Head by Bruce Marks (image by Ester Segarra)

Peter has also personally selected favourite works from each artist's career to be revisited for this show - pieces that mark the full arc of fifty years of making glass together.

Exhibiting Artists: Peter Layton, Tim RawlinsonAnthony ScalaBruce MarksElliot WalkerJames DevereuxLayne RoweLiam ReevesLouis Thompson