In Retrospect - 50 Years of Alchemy

31 July - 30 August

They say time flies when you're having fun - and in my case, it couldn't be more true. Half a century of making glass has passed in what feels like a heartbeat.

Early Iridised PIeces around 1980s by Peter Layton (Image by Sylvain Deleu)

London Glassblowing began fifty years ago, born from little more than a whim and an overdraft, in an old towage works on the south bank of the Thames at Rotherhithe. Brave or foolhardy? Probably the latter - I had virtually no experience and there was no established market for studio glass at the time. Yet here we are, five decades later, one of the longest-running glass studios in the world, with a gallery dedicated to presenting the very finest British studio glass art.

The life of an artist glassmaker is not an easy one. It is physically demanding, emotionally intense, and the current economic climate makes it harder still to sustain. And yet this has always been a labour of love - and if I had my time again, I would change very little.

Reimagined Skyline / Ebbtide by Peter Layton (Image by Alick Cotterill)

This exhibition traces the creative and transformative journey of glassmaking through my evolving body of work - both revisited series and exciting new directions. At the heart of everything I do is a single, enduring belief: every piece must be unique. That principle has guided me from the beginning, and it feels especially meaningful now as I return to earlier series and ideas that have quietly waited for their moment.

Among them are Clouds, Ebbtide and Skyline - works I am bringing back to life for this significant show. Revisiting these favourites has revealed something unexpected: fresh energy, new perspective, each piece reincarnated through the lens of time, concept and process. I'm also looking forward to collaborating with Layne Rowe as we venture into new territory, revisiting iridising to create work made especially for this exhibition.

New iridised work by Peter Layton (Image by Alick Cotterill)

We will also be showcasing Peter's iridised work, part of our Alchemist Collection. Peter has returned to his archive for inspiration, revisiting early trials and source material, and these pieces are being launched specially for this show.

Alongside these, we will be offering a selection of development pieces at accessible prices, making way for the new experimental and expressive work that lies ahead.

I recently came across a statistic that stopped me in my tracks: only 1.3% of UK businesses have reached their 50th year. It's a number that fills me with enormous pride.