Read the full article here


Peter Layton features in a wide-ranging interview with Hyper Culture Collective marking 50 years of London Glassblowing. From founding the studio in a 19th-century towage works beside the Thames at Rotherhithe in 1976 — when there was little or no market for studio glass in Britain — to the thriving Bermondsey Street gallery of today, Peter reflects on a journey he describes as "something of a triumph against the odds."

The conversation ranges across the magic and demands of the medium, the urgent need to preserve endangered handskills as university glass courses close, and why contemporary glass remains a golden opportunity for collectors, with extraordinary work still available at prices that would seem modest in painting or sculpture. Peter also looks ahead to the next chapter, as his protégé and son-in-law Tim Rawlinson and daughter Sophie Layton prepare to take up the reins.

"There is still so much to explore, and I am still finding new possibilities in this magical medium after all these years."