Peter was born in 1937 in Prague, but two years later, his parents were forced to flee to Britain. They eventually settled in Bradford, in the North of England, to be near his grandfather, a pathologist and colleague of Sigmund Freud, who nurtured Peter’s passion for art through concerts and exhibitions.
Glass was not Peter’s first love: a foundation degree from Bradford Art College, followed by a diploma at London’s Central School of Art and Design, led him to specialise in ceramics. Then, a teaching post at the University of Iowa in 1965 changed everything. The American studio glass movement was born in the swinging sixties, modernising a centuries-old practice for the time of Warhol, the Space Race and rock ‘n’ roll. Here was a medium where quick wit and spontaneity were as important as creativity, where the process was an adventure, and the final results were often unexpected. Peter was mesmerised, immediately enrolling in the University’s glass blowing programme and learning what he could from the movement’s forerunners such as Marvin Lipofsky and Sam Herman.
On his return to the UK in 1968, Peter realised that if he were to share the magic of studio glass he had to start from scratch: glass was still regarded as a poor cousin to paint, sculpture and pottery – a closeted trade, passed down between families or behind closed factory doors.
He started softly with a small glass studio in the Highlands of Scotland while relying on pottery to ensure a living. However, the big city called, as did glass – it needed more dedicated champions. In 1976 he opened the London Glassblowing Workshop in an old towage works on the Thames at Rotherhithe. Here he used to dangle his feet over the flood wall and take inspiration from the flowing river.
Glassblowing was (and increasingly is) an expensive business, new equipment, materials and energy bills required working with other artists. He was joined by Charles Ramsay, drawing in names such as Norman Stuart Clarke and Siddy Langley. This created not just financial returns but a collaborative space for the exchange of ideas, the incubation of artists, and the development of new techniques. This ethos has endured through two relocations along London’s Southbank to the workshop’s current premises on Bermondsey Street.